Using animation as a provocation tool, the film explores the ongoing crises under white patriarchy, relaying and augmenting feelings and gestures of chronic unease, protest and dissent. In a colorful and somehow hallucinatory way, the filmmaker’s statements storms in via menstrual blood, rising up against leadership circle-jerks, weeping vortexes, seared Orang-Utans, animal-fat banknotes, and advancing supermoons, pizzas and drones.