Abstract ciphers appear on the surface of the digital screen; they can be read by humans. Visualised, mechanical operating instructions form their own semantics and become the foundation for human operating instructions. On the cinema screen, this image is detached from its meaning. It condenses against the picture surface and spills into the eye. The associative montage of minimalist usage interfaces runs along the cinematic time axis like a random rhizomatic construct. In a film without narrative, the individual corporeality in the process of perception and media-based interpretation are the protagonists.