In her poetic hybrid film, filmmaker Yashaswini Raghunandan takes us to a village near Calcutta. There, noisy children's toys are made from old 35mm Bollywood filmstrips. By subtly flirting between essayistic, fictional and experimental passages, THAT CLOUD NEVER LEFT can equally become a special intellectual and sensory experience. The film invites us on a meta-level to ask ourselves the fundamental question of what exactly film / art really is.