They use terms such as “resistance”, “we are many”, and “grassroots”; on the website the two board members present themselves, in keeping with the times, with full beard and MacBook. In the same way that the AfD [rightwing political party “Alternative for Germany”] gave the word “alternative” a new aftertaste, here also, we see a reframing of terms which were formerly used by a left-wing opposition. The movement “Ein Prozent für unser Land” [One Percent for our Country] is a self-proclaimed, alt-right citizens’ network committed to the “patriotic protest against the irresponsible policy of massimmigration and the ever-growing gap between the ruling political caste and the actual sovereign – the people”. The association, founded in the Saxon town of Oybin, stages itself effectively in social media through emotionalizing propaganda films – in which a “patriotic rock band” with the subversive name “Wutbürger” [rage-citizens] has its say, among others. The citizens’ initiative is monitored by the Office for the Protection of the Constitution. Silke Schönfeld took her camera to the locations where “protests” of the movement had already taken place, searching for their traces in the analog space. The selected images are calm and unspectacular, and are only accompanied by ambient sound. They show familiar German landscapes – small towns, fields, bus stops, a rustically decorated festivity hall. Everything is very German, very “folkish” – but swastikas are of course nowhere seen here. Only the sparingly displayed textual information, which is indexed according to place and designed graphically like lexical definitions, provides insight into what has happened in the respective places. In the restaurant “Zum Schäfchen” in Schnellroda, Saxony-Anhalt, the summer and winter academies of the “Institute for State Policy” run by far-right intellectual Götz Kubitschek take place, we learn. Also, the neo-right publishing house “Antaios” has its seat in Schnellroda. Visitors of the seminars include young right members of the “Identitäre Bewegung” [identity movement], “Ein Prozent e.V.” or the “young alternative”. In addition to theoretical input on topics such as homeland, war, gender, elitism, Germany, and party power, there is always a sports program. And in Erfurt Marbach, Thuringia, the local hamster population was used to prevent the construction of a mosque in the industrial area. It is precisely in the subtlety of the images and their messages, which show us the familiar with new information, that Schönfeld evokes the uncanny of the attitude and rhetoric emanating from this “citizens’ initiative”.