Fascinated by computer networks, in how their infrastructures mirrored ecological systems, a Harvard biologist created the first computer virus to be maliciously released to the public. The virus was trained to target its victims, locking down their computers and holding them to financial ransom. The film finds in its wake encounters between butterflies and other agencies, from children to dogs to koala bears, in the wild and in the home. Using sensorially overloaded found footage gathered online and an archival new age synthesizer score inspired by the sounds of nature, the film is equal parts systems literacy and kaleidoscopic ecological fantasia. This more-than-human collaboration was co-written by an outmoded computer virus and various other early computer viruses, documenting the wild visual affects left as they infected the computer system used to edit the film.