What do Madonne, Massive Attack and Angela Merkel have in common? “Friedrich Nitzsche” might Clemens Kogler’s answer to this question be. By way of a tool called Phonovideo, made of a vinyl player, a video mixer and printed vinyl, he animates images of the previously named in real time while a male narrator goes through the consequences of Nietzsche’s idea of the eternal second coming. (Claudia Slanar)