A seemingly endless woodland – over the horizon a little bit of sky – occupies the screen. It is a landscape recording with a lot of movement. In the depth we see several layers of trees; the treetops sway in the wind. The movement becomes oddly slower when shifts take place. My Lindh works in the landscape series with landscapes that she makes protagonists of her films through means of movement; they take on medial lives of their own. In the process, the relation of the nature recordings to the watching audience also starts to shake.