// Taken from a train window between Dordrecht and Rotterdam, the artist has pulled the film manually in a shutterless camera. The movement of the film and the continuous influx of light dissolved both the center of perspective and the spaces between frames. The work leans on the notions of fluidity and continuity to question the sequential recording and the frame by frame ideology in photographic and cinematographic processes. In this attempt to record without division, trees and houses lose their solidity and oscillate between abstraction and figuration.