VS (or virtual spiral) revolves around the dynamisms between bodies and time on film. Digital video and expired 16mm film form the source material for the audiovisual transformation of the processual of time and (film) body through spiraling camera movements. Opposing movements, distance and closeness, or depth and surface engage in a constant dialogue here. The spiral runs like a red thread through the film. For the effect of the spiral movement, artist Lydia Nsiah invented a tracking apparatus whose movements she controlled live during filming.