The vividness of the female body is deconstructed and rethought by Sabine Marte. The bodies appear in a domestic yet undefined space and are presented through empty picture frames. Full visor helmets as well as black tape sculpture the nakedness of the performers and provide a political statement to the loss of utopia. Working, exhausted bodies are accompanied by music and spoken political texts and form a critical and at the same time poetic image of neoliberal and capitalist working conditions.