A granddaughter accompanies her grandmother through illness to death. Both women are close together; the film shows their closeness and an intimacy in their interaction with each another. The granddaughter, as filmmaker, presses against the limits of what is bearable – their convergence between loving care and brutal confrontation. In doing so, she creates a relationship portrait that is radical in its atmospheric observation. Her camera becomes its own protagonist in the last meetings, where not much is spoken but many questions are unresolved. The grandmother’s dog is always there; he too observes and is observed. The unspoken will remain unspoken.