A mansion, a lawn, some trees: an unmoved frontal view, 9 minutes long. We hear an off-screen voice: co-director Lukas Marxt commands/directs what goes on in the image. He calls up participants in a remote-controlled choreography: a certain "John" and his lawn-mower, remote-controlled by him; a "Mandy" whose drone ("camera 2") hovers above the house; and co-director "Jakub" Vrba, the only on-screen person, who climbs a ladder and holds up a cornet that emits smoke and sparks. Marxt´s orders make it happen: a strange ritual of 'order' in a bourgeois home which, as the film´s title says, is „Beautifully maintained and well located“. Maintenance provides continuity; here it locates us in a reversal of time: In this film, things don´t just go forward (order–>execution); there is also retroactivity at play. (Fragment from Drehli Robnik’s text)