Iyunade Judah, a Nigerian-born, Canadian-based artist and photographer calls his ORI MI AGBE “an experimental film about hallucinations, prayers of fate, and their connection to Blackness.” We see: fragmentary images of Black people, in ordinary street clothes, in colorful, imaginative costumes. Images not easily accessible for the white, European gaze. We hear: a rhythmic, repetitive chant in Yoruba, a language few here understand. These reveal at the same time a gap of understanding that points to the violence of colonialism.