Museum depots are places where things are kept out of sight, but also protected from all-too-schematic historical judgments. In his new film, Assaf Gruber continues his ongoing investigation of the backstage areas of art institutions to engage with Neue Galerie Graz’s holdings. In the cage-like space of the repository, we see a naked musician working intensely on a composition. He is inspired by artists who belong to a gray area between modernist aspirations and enthusiasm for Nazism. Our mysterious protagonist tentatively plays a familiar melody. It's a song known to many of us, recognizable from dance floors across Europe – but how many of us have ever bothered to listen to its remarkably imperialistic lyrics?