Five famous art history portraits come into being as tableaux vivants at a film studio. Supported by a female film team, the director of the film takes on the role of the portrayed. Playful and with a fine sense of humor they interpret the pictures. The act of dressing and changing, positioning and being positioned as well as arranging is re-contextualized by the female reenactment. Here a bow is tied, there a sleeve plucked on, one foot is moved into the correct position. Being the portrayed and at the same time portraying she is questioning the position of object and subject in the visual media. She is the painter and the model, observing her own gaze and being conscious of the gazes of the audience. A film about tights, tulle and the process of transformation. (Angela Queins