In CHERRY, the documentary film becomes a portrait, because it is so intimately close to the protagonist, Marie-Lise Chouinard. We're there when she takes a trip to the lake, meets her friends in the park, at the hair-dresser, but also during her daily medical treatments and the moments during which she speaks about her own death. The open personality of the protagonist grants an intimate insight, accompanied by her radiant laughter and a deeply friendly way of filmmaking.