01.SCREENINGS

The center piece of the Kassel Dokfest is the film program, divided into three sections:

02.MONITORING

Up to 16 contemporary media installations and sculptures by up-and-coming as well as well-known artists will be presented at the exhibition Monitoring.

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03.DOKFEST LOUNGE

The DokfestLounge is not only the location for audiovisual performances by international artists, VJs and DJs but also the nocturnal meeting point for our guests after 10.30 pm.

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04.INTERFICTION

The Workshop symposium interfiction offers lectures, presentations and workshop-sessions concerning a yearly changing topic, which takes a closer look at the political, social and artistic aspects of the medium internet.

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05.JUNGES DOKFEST

This educational side program is aimed at school students from the 7th till the 13th grade as well as teachers. The project consists of special film programs as well as workshops about film analysis and criticism under the guidance of media educators.

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06.DOKFEST FORUM

The DokfestForum offers panels, lectures and screenings that raise questions about the interfaces between film and art. During the daytime the DokfestForum as a festival meeting point will provide a café with a video library for accredited guests.

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07.EDUCATION

With the Hessian University Film Day, the presentation of a European Film College and hands-on workshops and lectures, the Kassel Dokfest offers possibilities for further education, information on education opportunities and access to professional networks for (Hessian) up-and-coming filmmakers.

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Feature Film

The documentary feature film traditionally constitutes the center piece of the Kassel Dokfest. More than 40 films were presented during last year's festival (2014) in the cinemas “Gloria” and “Filmladen”. This section shows documentary films with a total running time of more than 65 minutes; one focus lies on film productions from German-speaking regions.

The final program in 2014 has been selected from more than 487 submissions. The criteria, which influence the selection, are the political, social and cultural relevance of the topics as well as the artistic handling of this topic in the submitted work. Next to more classical forms of presentation, the Dokfest is open for the introduction of innovative formats, which show alleged boundaries of the genre, the might and the power of manipulation of images. Furthermore low or no budget productions, works by up-and-coming artists as well as new projects of well-known filmmakers at the Kassel Dokfest receive special attention during the selection process:because accompanying documentary works-in-progress continually is as important to us as offering a platform for the perspectives of bold and extraordinary projects.

A viewing committee, consisting of five people with different professional backgrounds (since 2009), is responsible for the selection of this section. Next to their interest in the political and cultural happenings of the world and their curiosity towards courageous and unconventional (life) stories, this group of four is unified in a cinematic obsession for documentary film in all its topical and aesthetic forms as well as their pleasure in passionate discussion about the best documentary films for the Kassel film festival.  

Every year the committee members take part in several national and international film festivals and other meetings of the film industry. Here the aim is to get an overview of the newest productions and foster contacts with filmmakers, before the main viewing process of the yearly submissions starts in the late summer months. 

Obviously, the selection is only able to show a part of the increasing abundance of documentary work every year, trying to none-the-less cover a broad spectrum of topics and forms and reaching an equally broad audience during the festival days.