The film HASHTI TEHRAN portrays the peripheral spaces between urbanity and suburbia just outside the city of Tehran. Daniel Kötter opens up four different spaces of transition on the outskirts and shows parts of the Iran that rarely get to be seen. The slow paced pans of the camera across the buildings and landscapes are accentuated by conversations between real estate agents and clients, or people living in the area who talk about expulsion and migration. HASHTI TEHRAN tells a story how social spaces are not created due to their centricity, but through the use and occupation by people.